Jack Bland Who Stole the Lock on the Hen House Door
Jack Bland and the Rhythm Makers Who Stole the Lock on the Hen House Door 1932 No pictures of band
Duration : 0:2:41
Jack Bland and the Rhythm Makers Who Stole the Lock on the Hen House Door 1932 No pictures of band
Duration : 0:2:41
www.HenHouseStudios.com
Hen House Studios, a record label and recording studio, located in Venice, California invites bands (over a hundred so far) to record for free. In exchange, the musicians allow themselves to be filmed.
This video is an excerpt taken from a feature length documentary film entitled “Welcome 2 The Hen House” which was made from the footage shot at these free recording sessions. The film takes you on a fantastical journey as you blow your mind on a surreal mix of super 8 film footage and animation.
Full length 84 minute DVD/ all regions available at: www.HenHouseStudios.com
©2007 Hen House Studios . All Rights Reserved.
Duration : 0:10:59
http://top-3-products.info/diy-coops/ – READ MY REVIEWS BEFORE YOU BUY ANY PRODUCTS ON DIY CHICKEN COOP BUILDING.
For a subject as mundane as the art of feeding chickens, the topic exhibits a surprising level of controversy. Some individuals choose to mix their own chicken feed, arguing that homemade chicken feed is healthier for feeding chickens. Other backyard poultry enthusiasts disagree, insisting that only commercial produced feed mixes can offer the proper nutrient mixes for backyard flocks. There are even proponents of vegetarian chicken diets, and those who disagree
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Duration : 0:3:42
If you are wanting to build a Chicken Coop, check out http://www.ownedbymypet.com/chicken-coop.html for EASY to read plans for several different sized coops, the whole lot for less than $30
Duration : 0:3:48
Shmuley Wineberg of Chabad House brought its “mitzvah tank” filled with shmurah matzah, tefillin and more to the parking lot outside the Hen House market in Overland Park April 2, 2009.
Duration : 0:3:46
The Tragically Hip—often referred to simply as The Hip—formed in 1983. They took their name from a skit in the long-form video Elephant Parts by Michael Nesmith of The Monkees. Nesmith took the phrase from the song “He’s So Cool” by Carolyne Mas.[citation needed]
In 1987, the band signed a long-term record deal with MCA after former company president Bruce Dickinson saw them perform live at the Horseshoe Tavern in Toronto, Ontario.[1] Later that year they released the self-titled EP The Tragically Hip, but the band did not achieve success until the release of 1989′s Up to Here. In 1993, they created the Another Roadside Attraction festival, which tours Canada to promote Canadian bands.
Known for their energetic live performances, the band is noted for their improvisational renditions of songs. Lead singer Downie often strays from the song lyrics to rant to the audience or wander off into fictitious monologues and conversations. Some of these become lyrics for future songs. The most famous live monologue is the “killerwhaletank” version of “New Orleans Is Sinking”,[2] recorded at The Roxy Theatre in Los Angeles, California, May 3, 1991. During the song, Downie tells the story of how he worked as a diver in a killer whale tank only to have his arm ripped off. This version was released on CD in 1996 as the B-side to “Grace, Too”. Other notable monologues include the “Police Frogman” version of “New Orleans Is Sinking” (Downie rescues a family trapped in their car at the bottom of a frozen lake), the “Greek Porter” version of “Highway Girl” (in which Downie has an affair with a female porter on a luxury cruise ship while on an ocean crossing), the “Double Suicide” version of “Highway Girl”[3] (in which Downie “accidentally” shoots his girlfriend) and the “Japanese Exchange Student” version of “At the Hundredth Meridian” (the day before Halloween, Downie accidentally shoots a Japanese student trick or treating). During a cover of the Them hit “Gloria”, Gord talks about tying his friend to the railroad tracks and being unable to free him in time to avoid the approaching train.
The band is immensely popular in Canada. The band has had three of their songs – “New Orleans is Sinking”, “Courage” and “Poets” – chart on Billboard Mainstream Rock Tracks chart and one (“Courage”) on the Modern Rock Tracks chart [4]. Their most-seen appearance in the United States was on March 25, 1995, when they appeared on Saturday Night Live (performing Grace, Too and Nautical Disaster) with fellow Canadian and friend Dan Aykroyd guest starring, and with John Goodman hosting. In 1999, The Hip were also one of the featured bands at Woodstock ’99 held in Rome, New York. When touring in Canada they play to sold-out arenas; when touring in the United States they play smaller venues and clubs, or festivals where they aren’t the headliner. Performances abroad are usually attended by Canadian expatriates. The band permit recordings of their performances, so an active trading community thrives. The tone and content of much of their music is a paean to the Canadian experience and touches on such themes as small-town life, geography, Canadian history and ice hockey. The historical, geographical and individual references in many of the lyrics are a source of much internet discussion.
The Tragically Hip’s live album, Live Between Us, was recorded at Cobo Arena in Detroit, Michigan in 1996 in support of the album Trouble at the Henhouse. The Hip have a small but fervent American following, especially in border states such as Michigan, Vermont and upstate and western New York. Standout tracks from the album include a powerful version of “New Orleans Is Sinking” and a heavily improvised “Grace, Too”, in which Downie alternates between muttering asides (“I was born in a little town / I was on my way down”) and spitting four-letter lyrics with something close to disgust. In 1998, the band released their seventh full-length album, Phantom Power, which contains such fan-favourite songs as “Poets”, “Bobcaygeon”, “Fireworks”, and “Escape is at Hand for the Travelin’ Man”.
In 1996, they contributed the song “Butts Wigglin” to the soundtrack to the movie Brain Candy. The song originally appeared on Trouble at the Henhouse.
Duration : 0:4:1
“A song Riley Puckett taught me to love”
Lew Dite with his banjo uke.
The last two verses are my own words.
Duration : 0:2:7
Ducktales Hindi-E60 – Launchpads Civil War Part 1/3
One day, Launchpad, Huey, Dewey, Louie, and Doofus are fixing up Launchpads biplane after his latest crash. Soon a letter arrives for Launchpad. The letter is from the people of Duck Ridge, asking for Launchpad to participate in their annual Civil War re-enactment. The people want Launchpad to play the part of his ancestor; General Rhubarb McQuack, a Civil War hero and Launchpads great-great-grandfather. Launchpad was supposed to take the boys on a Junior Woodchucks field trip the next day, which is also the day of the re-enactment, so he decides to bring the boys to the re-enactment for their field trip instead.
Later on, Launchpad flies the boys to town of Duck Ridge in his biplane. Doofus takes a picture of Launchpad for the Junior Woodchucks scrapbook, but the flash startles Launchpad, causing him to crash the plane into a henhouse. He is then greeted by Mayor Rufus B. Pinfeathers and Colonel Beauregard DuBark. DuBarks ancestor General Elijah DuBark fought against Rhubarb in the Battle of Duck Ridge. Though Launchpad feels sorry for DuBark, he is soon given Rhubarbs old uniform to wear for the parade.
During the parade, the crowd cant help but laugh at Launchpad, who is seems rather proud of his heritage. After the parade, Launchpad learns that the people portraying his troops are all acting like cowards. Launchpad then learns the truth; because Rhubarb was such a klutz, General DuBark was the one who won the battle, not McQuack. Essentially, while atop Duck Ridge Hill, Rhubarb was unable to draw his sword to lead his soldiers into battle. Rhubarbs screw-up caused all his soldiers to abandon him, thus losing the battle. Ultimately, Launch cant win in the re-enactment the next day.
Duration : 0:6:59
While thumbing through the old photo album
A particular one my eyes fixed upon;
It was of Mom in her blue Sunday dress
And wearing a soiled yellow apron.
I smiled as in my mind I returned,
It seemed just like it was yesterday;
For I had left my small hand prints on it
From playing in the Carolina red clay.
Mom had called us into dinner,
I could smell Sunday chicken fried;
So I ran in and threw my arms around her,
As on my hands the clay she spied.
Mom pinched my cheeks as she laughed out loud,
Told me to wash up and quickly sit down;
Then sister Mary Ruth took mom’s picture,
We kids snickered, not dad, he just made a frown.
Mom would always wear an apron,
Yellow was her favorite color;
I loved to sneak and untie it,
Hear her shout; “Scat, you little stinker!”
Yes, the apron was mom’s preference,
Of all the clothing that she wore;
She donned it like a badge of honor,
Displayed it like some fancy decor.
She would wear it into the hen house,
Then shape it in a rounded fold;
There softly place fresh eggs gathered,
Or shield baby chicks from the cold.
I’ve seen her use it for a basket,
For garden tomatoes or fresh corn;
I even recall when it cradled,
A dozen kittens newly-born.
She’d reach down, pull it at the bottom,
Her dish pan hands to gently dry;
She would fan herself in hot weather,
Or wave it like a flag to say goodbye.
Why, Mom’s apron could hide a shy child,
Or wipe dirt from a little boy’s ear;
And she would keep a hankie in its pocket,
That’s one memory I still hold dear.
I have seen her pat a sweaty brow,
After cooking over an old wood stove;
Or use it for a potholder, as cornbread
From the oven she would remove.
She’d use it to carry ripe apples,
That had just fallen to the ground;
Maybe collect crumbs from the table,
Toss them to the birds waitin’ ’round.
Yes, Mom’s apron had many uses,
From a tote bag to shooing flies;
But, I’ve also seen her use it tenderly,
When she would wipe teary eyes.
Now, I suppose the apron was invented,
To protect a mom’s pretty clothes;
But they must have had Mom in mind,
How she loved it… heaven only knows.
And I don’t reckon that too many ladies,
Would care a whit for it in these days;
But my mom proved its great value,
As she used it in so many ways.
So, when I look through my family photos,
There’s one I still gaze upon;
It’s of mom in her blue Sunday dress,
Wearing a soiled yellow apron.
**************
In memory of my mother Arizona Taylor
Written by Loyd C Taylor
Duration : 0:4:10